Saturday, August 14, 2010

Forward...Bob Bartkowski Interview

Today I went to Oak Forest, IL to Lee's Academy of Kung Fu. I interviewed Bob Bartkowski. Bob is a WIng Chun practicioner I have know since I started the film. I met him, like I did so many people concerned with Dante, over the internet. Bob has a unique take on the martial arts. He is a true fanatic for all martial arts including boxing. His enthusiasm is contagious. He reminded me of the piece above and was talking about how much he loved it when we were prapring for the interview.

I am going to post an excerpt from his interview later.

Monday, July 19, 2010

Finding Mike Konrath

I got an email some months ago from a man claiming to be Mike Konrath, the son of Christa Keehan, John Keehan's last wife. After informing me his mom had died he, Mike told me he had some pictures he thought I would be interested in. Some months later I went out to see him and his Aunt near the Chicago/Wisconsin border.  I went with some doubts, due to so many fake-ass calls I get and especially after dealing with the Fall River crew. I was pleasantly surprised he has some great photos, not very many but what he has is worth negotiating use for. He has some interesting anecdotes as well, he used to open up the envelopes with the applications for the World's Deadliest Fighting Secrets booklets. He helped Keehan wiith mail-order fullfillment when he was a child.

One of the pictures includes Doug Dwyer with Dante in his slick suit and the pet lion on a leash on Rush Street.

Thursday, June 17, 2010

We Were All Karate Kids: Part II: My Mr Miyagi's

In 1967, I lived in Ft Benning, Georgia where my father was an Airborne Ranger recently returned from Vietnam. I had been a victim of bullies, who demanded I conform to a pack mentality that excluded the love of books when I lived in the projects. I needed a magic bullet, Muhammad Ali boxing skills, something.

After months of watching martial arts in old movies from Mr Moto, Spencer Tracy in Bad Day at Black Rock to the TV show, Secret Agent Man, I was hooked.  I was introduced to the practice of martial arts through the  books of Bruce Tegner and then, a masterwork by Mas Oyama called "This is Karate."  Some friends of mine and I would use Oyama's book as an instructional manual between nomadic special forces guys who gave us pointers. We perfected breaking skills and tensho kata. We sparred badly and had plenty of bloody noses and loosened teeth.

I put in practice on the base and with numerous people with "self-defense" training but my real practice began with my meeting with 16 year old Gregory Jaco in Chicago in the winter of 1967  when my father returned to Vietnam and my family to the suburbs of Chicago.

 This was my first  Mr Miyagi, a guy barely 2 years older than me. Tough, knowledgeable, charming, my mom would always ask about him years after meeting him. He was older than his actual age, a leader, a comedian, when he wanted to be, with a soft high voice.

He had come to my house through two local Maywood, IL friends,  It was the coldest day of the winter. Along with the diminutive Robert Tobias, who would periodically disapppear to study with Count Dante, we went out into the Chicago wind and worked out, Oyama style, barefoot in the snow. The steam rose from our bodies from the exertions. We actually sweated in sub-zero weather. Rob was the first person to show me the "Dance of Death." He could execute all of the movements in less than 20 secs, he was aiming for 15.

Jaco was an instructor before he became a black belt. He taught children in the Robert Taylor Homes for years. We were Explorer Scouts together. Some folks thought that was funny. But not for long. Jaco had the "Godhand." People would look down at his thick frame and walk away.

Jaco did not charge money, you paid for his classes with blood, sweat, respect and dedication. His school gave the most exciting breaking demonstrations, brick breaking, wood, bottles. The women in the class did everything the men did. He would use a samurai swords to cut through apples held in student's necks. He would throw Shuriken (ninja stars) at living targets including ME. Fear was my companion around Jaco, but I mastered it. He never hit me but I had to stand still. My fear would hurt me, not Jaco.

In the Robert Taylor Homes he trained up a crew called the Black Dragon Slayers. But they went rogue. Having driven out drugs dealers with their fearlessness and fight skills, some of them took the places of the defeated dealers. Jaco disowned them he started a new school, The Tornado School of Martial Arts.

Jaco was always bugging people to help his students get uniforms, and we helped, even when we stopped working out with him. Jaco had a wild streak and a good heart. One of his son's and students, Wasulu Jaco, is also known as Lupe Fiasco, yeah, THAT Lupe Fiasco.

I did not see him that often after we became adults. But we always ran into each other somewhere, or I would hear of his adventures and he of mine. The tall baritone voiced Marshall is a painter and Clarence became a Chicago Policeman. The brilliant and itenerant Rob caught a case in the early 90s and is in the Illinois Penal system.

While Jaco joined the Army after high school and become part of the Green Beret Martial Arts Demonstration Team, I left the country to explore the liberation movements based in Dar Es Salaam. I was hanging out on a beach on the Indian Ocean in Dar-es-Salaam, Tanzania with Goju-Ryu master Shihan Namtambu Camara Bomani auditing his classes, struggling through their 5 mile runs every other day.

Funny how I found yet another teacher/brother of the same kindness and compassion continents away. He was way less wild than Jaco and very grounded. The perfect balance I needed at the time, being 22 and a bit freaked out by my journey though ten years of fighting for social justice in the good old USA. The revolution was winding down in the US, brothers had gone from Black Berets to 3 piece suits. Some of us answered the call of the international and went to West Africa, Many of us to Dar with the intent to led assistance t the fight against colonialism. A foolish few went to Jonas Savimbi in Angola. I am grateful for the people who taught me to think critically and at 22 to know better than to fall for bullshit.

Natambu Bomani Kamara
Trained in Okinawa, Bomani was responsible for introducing Jundokan Gojuryu to Tanzania and Africa. He established the first ever Goju Ryu karate school in Dar es Salaam in 1973 and he founded the Tanzania Okinawa Gojuryu Karate Association. Bomani got married in Dar Es Salaam and lived like a Tanzanian, cooking on a small charcoal stove in a small ground level apartment. His students were Tanzanian, South African, from Umkonto Wa Sizwe and Mozambican members of Frelimo. Karate was all he did, and he had a class of 75-100 people whenever I was there, it seemed. Our Friday night social set was the kung fu movies at a theater by the docks.

He adopted me as a little brother and we would talk late into the night. Bomani was another teacher who "pulled my coat" to the snake oil salesmen and expatriate poverty pimps transplanted in the area.  I always got the last bus and had to walk 3 or 4 kilometers home on dark roads with the distant sounds of Congolese guitar coming from the numerous "dukas" along the way. Warned against the wahoonies (thugs) and mwezi's (thieves), I traveled with my nun-chakus bought at the Borkowski's martial arts store on 66th and Halsted in Chicago. When I last I saw Bomani In Dar Es Salaam he was sweating out malaria at home and I was very worried about him. He pulled through and I heard from him by letter when I got to London. That was in 1975.

Students of Nantambu Bomani (Top Row, 2nd from right), 1972
I had not seen Bomani in 33 years. We reconnected over the internet 2 years ago, after Jaco died. I decided to look for him and found him. It was like we had seen each other a few weeks ago. We picked up, I got all the news and we made arrangements to meet when he returned from Ghana. Bomani passed the Summer of 2009 in Ghana and is buried there. I found out recently when I called him at his home in Seattle  a few months back. His son gave me the news.

Jaco died in 2007, I sought him out when I started shooting my film 5 years ago. I was looking for Robert Tobias. Jaco had been ill with diabetes and had come out of a coma a year before. He had since obtained a new wife half his age. Nothing kept him down. When I saw him last he was making plans for another school. An amazing group of people came together to honor his memory. We sat in a Church on the South Side of Chicago, with a minister, a muslim Imam, drummers, Saabar dancing and breaking demonstrations in his memory.

He was not rich, he was never a feature article in Black Belt magazine, he was never a big tournament fighter. To him, a point was knocking a guy out. He was sensei to thousands. And hundreds came to honor him. I found a quote from the Tao de Ching for Jaco and Bomani. This fits their spirits nicely.

"A good traveler has no fixed plans
and is not intent upon arriving.
A good artist lets his intuition
lead him wherever it wants.

A good scientist has freed himself of concepts
and keeps his mind open to what is.

Thus the Master is available to all people
and doesn't reject anyone.
He is ready to use all situations
and doesn't waste anything.

This is called embodying the light.

What is a good man but a bad man's teacher?
What is a bad man but a good man's job?
If you don't understand this, you will get lost,
however intelligent you are.
It is the great secret."

-- lao tzu

Jaco and Bomani, like all good teachers understood this intuitively. It take special people to teach effectively. It takes care, love and compassion. The best teachers are extremely self aware. They become brothers and sisters to us and ,in many cases, surrogate fathers and mothers as well. This was Hamza Gregory Jaco and Nantambu Camara Bomani. HArd disciplinarians, soft hearts. Iron Hands tending gardens of youth, strengthening our roots, fertilizing our minds and energizing our spirits.

Tuesday, June 08, 2010

We were all "Karate Kids"

We were all "Karate Kids." Out of the tragic events of World War II came a renewed interest in the Orient. Conquered and maybe even bowed, the influence of Japanese and other Asian cultures would have as much influence upon popular American Culture as rock and roll for the rest of the 20th century. That influence would be martial arts.

Judo had been practiced in the US since before Teddy Roosevelt , who, like Vladamir Putin, was a judo black belt. In the 1950s, martial arts was appearing in all kinds of settings. Karate master Mas Oyama came to Chicago in 1953 and fought a bull to the death. Spencer Tracy, as a one armed WWII Veteran used karate to fight bigotry in Bad Day at Black Rock (1955).

It was this generation who helped invented the American take on martial arts. It is this period, 1950-1975, that I use as a back drop for my documentary film, The Search for Count Dante. We were in awe of James Bond films, TV shows like Secret Agent Man aka Danger Man and I Spy. When the Green Hornet premiered in 1966, Bruce

Lee's character, Kato, would propel hundreds of thousands into Karate and nascent Kung Fu Schools.

With the premier of the new Karate Kid will there be a resurge of interest in martial arts films. Will all the middle aged guys like me get a saudade, a longing for the kung fu cinema of the 1970s and early 80s? I remember leaving the Kung Fu Stroll of 42nd street in NY, downtown Chicago with the McVicker’s Masters and then, when I moved to London in 1974, Midnight/All Night Kung Fu films at the Rio Cinema in Dalston. When I moved to Dar Es Salaam in 1975, Blaxploitation films like “Truck Turner”, would double bill with Kung Fu films like “Flying Guillotine” right across the street from Arab films like “Muhammad Messenger of God.” Crazy! I saw Black Dragon's Revenge aka "Death of Bruce Lee" with a cheering, screaming audience of teenage Tanzanians.

It is an amazing memory of true audience participation. A lot of the films were horrible, the martial arts mediocre. Bruce Lee and a few others were brief shining lights. But the shared social experience was absolutely unbeatable. Some of the audience beat on each at the McVickers and on 42nd street.

The memory is so strong that Sensei Kirk Haygood, a former usher at the McVickers Theater, and I are initiating Flicks of Fury, a monthly Xtreme Martial Arts Cinema Club, at ICE Theaters in Chicago. We start August 30, with a live appearance by Ron Van Clief, “The Black Dragon” and we will show his bio-pic, Black Dragon, the Legend of Ron Van Clief. Talk is being bandied about concerning getting actor, Soke James Caan, a real martial artist, and reviving his film, The Killer Elite for one of the screenings.

Ahhhh, to be 19 again and spending Saturday afternoons watching escapist films like Master of the Flying Guillotine, The Last Dragon, Snake in the Monkey’s Shadow, Mad Monkey Kung Fu.

These films would become the backdrop for the hip hop underground, from the acquisition of names, samples and dance. Wu-Dang Chuan is where Wu-Tang Clan got it's name and Ghost Face Killer is a character in the film Mystery of Chess Boxing.

There was a lot of discussion about the need to remake the Karate Kid. I am not getting into that. But the shared social experience of every bullied kid is a universal. Every generation has a need to see itself in a way that reflects their times free of their parents history, as they make their own stories.

Friday, June 04, 2010

It's On, from Chicago to Southend-On-Sea

We have begin a promotion campaign on the"The Search for Count Dante, as I continue production. My investor in the UK is screening trailers at big Mixed Martial Arts Events like The Ultimate Warrior Challenge, taking place this Saturday, June 5, in Southend-on-Sea, UK. It will be on the big video screen. Jim Quattrocki shot this with me over a year ago.
We will begin to do the same at Events here such as Cutthroat MMA. Why? Count Dante held the first MMA Events at the Coliseum on Wabash back in 1967. He was universally condemned and ostracized by the martial arts community nationally. He then went on to write an article titled, Karate is for Sissies, which won him no friends. But the brothers were down with Dante for having the heart to, "March to the beat of a different drummer," as Shihan Preston Baker told me.

We are going to inundate the Martial Arts market with Count Dante-mania. A UFC fighter, the 6'8" Wes Sims, claims to have run into Dante in New Orleans after one of his matches back in the late 90s. He has been looking for him ever since.

I usually shy away from being on camera. But Jim Q convinced me to do it. I don't envision myself a Micheal Moore kind of guy, but we tried this anyway. We will premiere a new trailer every month as I am working to complete the film.

Social Networking and niche marketing is really the key to the success of a project like this. We are coming up with a plan to storm the Comic Book Conventions as well.

Thursday, May 13, 2010

John Keehan's Boxing Teacher, Johnny Coulon

Johnny Coulon was not only a championship boxer but he was a showman and somewhat of a "dim mak Master himself. Watch the following clip.


Coulon presented this trick as a challenge all over the country and around the world. I can imagine how impressed with Coulon a 12 year old John Keehan would be. Maybe Keehan learned more then excellent boxing skills from Coulon, while studying at the Windy City Gym.
This is going to fun researching this week.

Tuesday, May 11, 2010

Back in The Saddle and all is well!!!

The court case is over. My copyright infringement case has been settled at the request of the plaintiff. I was not proven a criminal, I have a right to use the materials I want from the 1968 Book copyrighted by Count Dante for my documentary. My right to Fair Use was looked upon favorably by Judge Mark Wolf. You can see the final documents pertaining to the settlement in a couple of weeks at Justia.

After 3 years it was great to see this case come to an end. What did the settlement cost me? The time and headache of enduring it. I was defended pro bono by Anthony Falzone, Julie Ahrens and at the Stanford Center for Social Media along with David Kluft and Mike Boudett at Foley Hoag, LLC in Boston.

Good developments in the offing. Some financing for the film has come in, which I am extremely grateful for. I will be shooting over the next few weeks and continuing fundraising. One of the side events that will come out of the documentary is possibly a scholarly symposium on martial arts in the Midwest. Nothing like this has ever been done before. It could be interesting to assess the social impact of martial arts practice in partnership with the Illinois Humanities Council. Martial Art practice is a sub-culture that is seldom addressed for it's cultural impact with any real respect or focus.

My plans for completing the film are very clear now. I get new contacts related to and questions about John Keehan every few days from around the world. I have just stopped being surprised at how interested people are in the subject of Count Juan Rapheal Dante, "World's Deadliest Man" and his book, "The World's Deadliest Fighting Secrets."

Among my good news is that I may have found some film footage of the 1963 1st World Karate Tournament at the University of Chicago Fieldhouse. That still photo above is a frame from 8 mm film footage of John Keehan breaking a brick with his fist. Doug Dwyer is holding the brick for him. Let's hope the original footage is accessible so I can obtain a pristine digital image.

Sadly, several more people pertinent to the story have died since I began the film. Vince Tamura, brother of Masato Tamura, Keehan's Judo sensei, recently died, as did the head of the Green Dragon Society, Master Douglas Nowakunski.

I got 4 acts for the documentary in progress. Everything else will be DVD extras. The extras may end up being as long as the film. Lots of stories and anecdotes from the older martial artists make for an interesting oral history.

As narcisstic as John Keehan/Count Dante seemed to be, it is hard to think that there are not that many images of him around. I have a bunch, but I am still expecting that motherlode of images to pop up anytime. So far there have been claims of boxes and boxes of stuff but no proof.

For those that may have some images and are reading my blog, the pictures should be cataloged and described to me in writing or scanned and watermarked in Low resolution with details of the source and origins. I am open to looking at things. We shall see what the coming months bring.

Keep watching the space for my further adventures.
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Tuesday, April 06, 2010

Remembering Natambu Camera Bomani Shihan

I begin this entry with a bit of sadness, I learned of the death of my good friend Natambu Camera Bomani Shihan who allowed me the honor of working out in his dojo when I lived in Dar Es Salaam, Tanzania in the mid-1970s. He died in Ghana last summer of a massive heart attack.

I had been in touch with him over the past few years after not speaking to him for over 20 years. Bomani taught two generations of martial artists in Dar, the school is still thriving. Bomani taught members of Umkonto wa Sizwe, the military arm of the African National Congress. Through Bomani I was able to meet many of the young men who had gone into exile to fight against the South African apartheid regime in the 1970s.

Here is his bio from the GokenKan website

"Mr. Bomani began his martial arts training in Africa in the 1906s. By 1968, Mr. Bomani, had traveled to Okinawa and began training with Eiichi Miyazato Sensei at the Jundokan. Mr. Bomani was a student of Miyazato Sensei’s, until Miyazato Sensei passed away in 1999. Since that time he has trained under Koshin Iha Sensei.

Mr. Bomani was responsible for introducing Jundokan Gojuryu to Tanzania and he founded the Tanzania Okinawa Gojuryu Karate Association. Mr. Bomani was also instrumental in spreading Jundokan Gojuryu through out the United States. He founded many dojos in New York, Washington,Kentucky and Ohio. He has left several yudansha spread across the United States and Africa."

After not being in touch with Bomani for over 20 years I finally tracked him down and we were to meet this Spring as he was leaving the country for awhile. His son called me last week to let me know he had past, he found one of my messages and realized I was not aware of his passing.

Sensei Bomani, though our time together was brief, had a get effect on me. I was surprised his son knew of me and said his father had spoken of me many times. Bomani gave me a way of looking at Africa, past the bullshit, past the vagaries of expatriatism. He showed me how to blend, and communicate with people in a place foreign to me. So it was not foreign to me for long. Knowing him, people took time to know me.

He walked among the common people of Tanzania with respect and love, having married a Tanzanian woman and living in the community instead of the usual expatriate abodes, separate and apart from the real community. He lived with his wife in a simple 2 room dwelling and she cooked on a a small charcoal stove, fresh whole wheat chapati, he was vegetarian and we had that in common. Dar Es Salaam was the easiest African city I have ever been in to be vegetarian. I was hard core back then. Bomani and his wife's extended family taught me how to live like a Tanzanian, away from the restaurants in hotels so many many of my fellow African American expat acquaintance frequented. There was a strong indian presence in Tanzania so I could get dal and puri and whatever veg Indian cuisine I desired back then.

I remember being to his house for dinner many times and a chorus of frogs outside his window during dinner, so loud we could hardly hear sometimes. Chapati and Spinach curry, coconut rice, with fresh baked chapati on a charcoal stove. I learned to make the coconut rice, from a whole coconut, shredding the meat and socking it, making coconut milk.

I remember making the long trek from his home back to the Chicken Farm, where i was staying at the time. I took the last bus and my two mile walk in the dark on a side road outside Dar, re-examining parts of our conversations about identity, nationality, struggle, mission, purpose, and quantifiable results. It was a good time in Dar Es Salaam, the times of Tanzania's first President Mwalimu Julius. Nyerere. We would see him on the beach some mornings when we did sunrise workouts. President Nyerere would wave, alone walking in solitude like he had not a care in the world. Certainly the Moranguzi (Secret Service)was not too far away.

I almost drowned one afternoon workout when I walked far out into the sand to the pictures and the tide of the Indian Oceans started coming in. When I got to shore the water had almost been up to my shoulders and I was trying to save my cameras. Bomani did warn me when I walked out there. He said he figured I would eventually float back to shore one way or another.

He had hundreds of students. I remember the 5 mile runs in formation. Bomani always leading. He was a hard taskmaster. A good friend in the short time I was there. I think we both had malaria at the same time. I left Dar for awhile after that, as my recovery was good but I was having some strange recurrences. I really looked forward to our meeting this Spring. I am really sad about this.

Preparing to Shoot in April and May
Been a long time since I blogged because of a plague of internet trolls who want to harrass me into telling this story, their way. Some good things have happened and I will most likely be finished this year. I won't talk much about the good thing because I am adamant about protecting all my sources from any internet harassment and threats that might come from the people who slander me and the project online.

I have a dilemma with the reenactment of the dojo war. While a lot of people think this is a "cool" event, I have to remind myself that someone died. I avoided even wanting to do it for a long time and I kept coming back to it because of the nature of the vent, the time, and it's historical resonance. Now, a lot of that is bullshit in the face of Jim Konsevic dying. I have to answer to the people who were alive during that era, people whom I respect greatly. Before I do it I have to speak once again to one of Jim's surviving relatives. If he is not down with it, I will have to figure something out that I can live with.

I guess I am just not mercenary enough to do it without getting a full understanding of what I am doing and having to respect the impact it had on the people who survive it's memory. The question is how to do it so it is not romanticizing, or sensationalistic, glorifying this tragic event.

It clearly happened and it was 40 years ago this month. I have it planned, I have actors in place, a location in mind. I still have not got an on-screen interview with one of the Green Dragon Society leadership. I have to have these voices to get some clarity and balance in telling the story.

Head of the Green Dragon Society, Douglas Nowokunski, died this past month. He had reached out to me letting me know where he was in that mysterious way so prevalent with a secret society. I have to make a new approach to surviving members, who by now understand I am not taking sides, but seeking clarity to how the tragedy came about so we can finally lay it to rest.

In a pure documentary sense, as I get closer to shooting I have to ask myself these questions and make sure my motivations are sound and give it the sense of tragedy that the event really entails.

I have one person who was there so far whose story I was able to do some comparison with the police report, which has it's own problems. 40 years is a long time. I won't "get it right." Memories fade, the court record is incomplete, people are still scared, it was a homicide that was dismissed with a lawyer, Robert Cooley, who has admitted to buying off judges during his career.

People who were active in the martial arts during the 1960s and 70s are always asking me why I am bothering to do this. There is still some apprehension regarding Keehan/Dante.

Everything else about the film is easy.

Young people are fascinated with the stories of Dante. I am constantly surprised at how often there are new entries and blog posts about Count Dante that are independent of knowledge of my film project. There is an urban legend here that goes from Chicago inot the marvel comics universe, boxing and men's magazines, to France, England, Russia and even Madagascar.

But I am weary, anxious to complete, so I can do move onto another project next year. I am certain that this will be a popular underground project, people are anxious for me to finish, I am anxious, time for the big push. Let's get it onnnnnnnn.